No uncertainty about Uncertainty
We are all faced with hundreds, maybe thousands, of minuscule decisions each day. Bus or subway? Where and when to go to lunch? Work late or cut out early? The other day during a much-needed day of hookey from the YIL-factory I was walking by the IFC Center and saw a poster for Uncertainty, next showing in twenty minutes. I was sick of walking the streets in the cold and not buying Christmas presents so I ducked into the theatre and am very glad I did.
Manhattan or Brooklyn?
Easy question. Where to spend the 4th of July. Your girlfriend’s family’s party in Brooklyn or your buddy’s party in Manhattan. Flip a coin.
That’s how Uncertainybegins. With the flip of a coin. What follows are two separate movies: one follows Bobby (Joseph Gordon-Levitt) and his girlfriend Kate (Lynn Collins) to Brooklyn. Intertwined is the second movie – what would have happen had the two chosen to spend the day in Manhattan.
At first glimpse the premise is reminiscent of the less-than-stellar Gwyneth Paltrow 1998 film Sliding Doors (I much prefer her Great Expectations from the same year). To keep both Uncertainy story lines separate the film’s writers/directors used color: Yellow for Manhattan (clothes, taxi that brings them there) and Green for Brooklyn (clothes, minivan that brings them there). A much more clever device than Paltrow’s odd blonde/brunette hair cut and coloring.
What follows are two incredible stories as different as can be. In Manhattan Bobby and Kate find a cellphone in the back of a cab that leads to a fast-paced, gripping espionage story of murder, blackmail and what two people would be willing to do for more money than they could ever fathom having with action scenes of roof jumping that rival the Jason Bourne films. Not an easy feat for an independent film.
In Brooklyn, surrounded by her family, Bobby and Kate come to terms about their feelings for each other, their future, her mother’s disapproval. It is an intense, sometimes stifling, family/relationship drama.
The in-depth, claustrophobic nature of the film and the relationship presented on screen set to a defined period of time of both the Manhattan and Brooklyn films reminded me of a mix of Ethan Hawke/Julie Delpy Before Sunrise and Jonathan Rhys-Meyers/Scarlett Johansson Match Point.
While not the perfect movie – a few of the loose ends seem to tie up a bit too easy at the end – Uncertainly certainly is a movie to be seen. Levitt, once again as he did in (500) Days of Summer (which you may or may not have heard I kinda liked), proves his ranking as one of the top actors under thirty today and Lynn Collins shows her dramatic abilities are far superior to her roles in True Blood and X-Men: Wolverine (which is a damn good show and a fine movie themselves).
Its too late to see Uncertainty at the IFC Center in New York (though it does seem to be still playing in LA), but the smart folks over at IFC released the movie On Demandsimul with the theatre release. So look for it there.
