Happy Birthday Macaulay Culkin (and some others)
There’s been a lot of attention today on the Twitters and the Facebooks and the Internets drawn to the thirtieth birthday of Home Alone star Macaulay Caulkin, starting (as far as I can tell) from the tweet from forever-young actor @GaryJBusey Macaulay Culkin turns 30 today, but I still don’t trust him to be left home alone followed by countless blogs relaying the information that Culkin will be spending his birthday “home alone” with some close friends.
In honor of Mac’s birthday, and all of us born in 1980, here’s a quick rundown of the wealth of talent born the year Reagan was elected and Lennon was killed.
January 17 – Zooey Deschanel, American actress
January 18 – Jason Segel, American actor
January 22 – Christopher Masterson, American actor
January 28 – Nick Carter, American pop singer
February 11 – Matthew Lawrence, American actor
February 12 – Christina Ricci, American actress
February 15 – Conor Oberst, American singer/songwriter
February 27 – Chelsea Clinton, First daughter
April 1 – Bijou Phillips, American actress and socialite
June 17 – Venus Williams, American tennis player
June 26 – Jason Schwartzman, American actor
July 10 – Jessica Simpson, American singer
July 20 – Gisele Bündchen, Brazilian supermodel
August 26 – Macaulay Culkin, American actor
September 9 – Michelle Williams, American actress
September 25 – T.I., American rapper
November 12 – Ryan Gosling, Canadian actor
December 18 – Christina Aguilera, American singer
December 19 – Jake Gyllenhaal, American actor
Rebel with a gun
Fifty-six years ago two young actors appeared together in a twenty-three minute episode of General Electric Theater. Today, both men have reached heights of popularity and cultural significance neither could have predicted. And after more than half a century “The Dark, Dark Hours” starring James Dean and Ronald Reagan has been discovered.
The Atlantic has the video – edited down to 6 mins – of James Dean portraying a rebel with a gun (10 months before the premiere of Rebel Without A Cause) holding a doctor (Reagan) and his family hostage while trying to get medical attention for his wounded friend.
What struck me most about this short film is the hint of roles to come in Dean’s performance, most notably the conversations between Dean (calling Reagan ‘Dad) and Reagan (calling Dean ‘Sonny’) and the physical altercation between the two followed by the emotional breakdown of the younger actor.
The physical altercation between Dean and Reagan plays out much in the same fashion as Dean’s altercation with Jim Backus, who played his father, in Rebel Without a Cause – though this time it’s the father figure attacking the younger man.
Reagan attacking Dean quickly escalates into Dean’s emotional breakdown – mimicking, almost exactly – the scene Dean may already have been preparing for in East of Eden, when he, as Caleb Trask, tries to buy his father’s love (Raymond Massey) only to be rejected, sending him into a tailspin of self-destruction.
In many ways ”The Dark, Dark Hours” can be seen as a sort of screen test for Dean, working through many of the themes and acting styles that he will then bring to the three film roles he left behind, in Rebel Without a Cause, East of Eden and his final picture, Giant.
